Abstract

Circular design strategies are increasingly recognized as essential for transforming theatre and film scenography 
from linear, waste-intensive systems into regenerative and sustainable practices. This study examines how circular 
economy principles such as reuse, refurbishment, upcycling, and lifecycle optimization can be embedded within 
scenographic design and production processes. It develops an analytical framework that connects material flows, 
stakeholder collaboration, and design decision-making across production cycles. Emphasis is placed on durability, 
modularity, and standardization as key enablers of extended material lifespans and reduced environmental impact. 
The research further explores the role of digital technologies, including virtual prototyping and digital twins, in 
minimizing physical resource consumption while enhancing creative flexibility. Case studies and emerging 
practices demonstrate how circular scenography can be operationalized through localized sourcing, inventory 
systems, and collaborative networks. Beyond environmental benefits, the study highlights the social, cultural, and 
ethical dimensions of circularity, including issues of accessibility, equity, and narrative transformation. Ultimately, 
the paper argues that adopting circular design strategies not only mitigates waste but also redefines scenographic 
practice as a driver of sustainable innovation in the creative industries.