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Ethics of Deepfakes in Historical Reconstruction for Film and Museums

Author: Kato Nabirye H.
Publisher: NEWPORT INTERNATIONAL JOURNAL OF LAW, COMMUNICATION AND LANGUAGES (NIJLCL)
Published: 2026
Section: Faculty of Business and Management

Abstract

The emergence of deepfake technology has introduced both transformative opportunities and profound ethical 
challenges for historical reconstruction in film and museums. Powered primarily by generative adversarial 
networks (GANs) and related machine-learning techniques, deepfakes enable the creation of highly realistic 
audiovisual representations of historical figures and events, often indistinguishable from authentic archival 
footage. While these tools can enhance public engagement, restore fragmented cultural heritage, and expand 
access to historical narratives, they simultaneously raise concerns regarding authenticity, provenance, consent, and 
epistemic integrity. This paper examines the ethical implications of deploying deepfakes in historical 
reconstruction, focusing on tensions between educational value and risks of misinformation, distortion, and 
manipulation of collective memory. It further explores issues of attribution, transparency, and cultural sensitivity, 
emphasizing the importance of consent not only from individuals but also from communities whose histories are 
being reconstructed. The study argues that without robust governance frameworks, deepfakes may undermine 
trust in historical representation. It concludes that responsible innovation anchored in transparency, 
accountability, and ethical oversight is essential to ensure that deepfake technologies serve as tools for historical 
enrichment rather than distortion.